Autumnal Tints
by Henry D. Thoreau
A great many are merely yellow, more scarlet, others scarlet deepening into crimson, more red than common. Look at yonder swamp of Maples mixed with Pines, at the base of a Pine-clad hill, a quarter of a mile off, so that you get the full effect of the bright colors, without detecting the imperfections of the leaves, and see their yellow, scarlet, and crimson fires, of all tints, mingled and contrasted with the green. Some Maples are yet green, only yellow or crimson-tipped on the edges of their flakes, like the edges of a Hazel-Nut burr; some are wholly brilliant scarlet, raying out regularly and finely every way, bilaterally, like the veins of a leaf; others, of more irregular form, when I turn my head slightly, emptying out some of its earthiness and concealing the trunk of the tree, seem to rest heavily flake on flake, like yellow and scarlet clouds, wreath upon wreath, or like snowdrifts driving through the air, stratified by the wind. It adds greatly to the beauty of such a swamp at this season, that, even though there may be no other trees interspersed, it is not seen as a simple mass of color, but, different trees being of different colors and hues, the outline of each crescent tree-top is distinct, and where one laps on to another. Yet a painter would hardly venture to make them thus distinct a quarter of a mile off.
As I go across a meadow directly toward a low rising ground this bright afternoon, I see, some fifty rods off toward the sun, the top of a Maple swamp just appearing over the sheeny russet edge of the hill, a stripe apparently twenty rods long by ten feet deep, of the most intensely brilliant scarlet, orange, and yellow, equal to any flowers or fruits, or any tints ever painted. As I advance, lowering the edge of the hill which makes the firm foreground or lower frame of the picture, the depth of the brilliant grove revealed steadily increases, suggesting that the whole of the inclosed valley is filled with such color. One wonders that the tithing-men and fathers of the town are not out to see what the trees mean by their high colors and exuberance of spirits, fearing that some mischief is brewing. I do not see what the Puritans did at this season, when the Maples blaze out in scarlet. They certainly could not have worshipped in groves then. Perhaps that is what they built meeting-houses and fenced them round with horse-sheds for.
THE ELM.
Now, too, the first of October, or later, the Elms are at the height of their autumnal beauty, great brownish-yellow masses, warm from their September oven, hanging over the highway Their leaves are perfectly ripe. I wonder if there is any answering ripeness in the lives of the men who live beneath them. As I look down our street, which is lined with them, they remind me both by their form and color of yellowing sheaves of grain, as if the harvest had indeed come to the village itself, and we might expect to find some maturity and _flavor_ in the thoughts of the villagers at last. Under those bright rustling yellow piles just ready to fall on the heads of the walkers, how can any crudity or greenness of thought or act prevail? When I stand where half a dozen large Elms droop over a house, it is as if I stood within a ripe pumpkin-rind, and I feel as mellow as if I were the pulp, though I may be somewhat stringy and seedy withal.